Top Ten Films of 2013

Top Ten Films 2013

2013 has been an above average year for films. 2013 is an excellent vintage for a film to have. In the future you can pull a DVD off the shelf, note that it was made in 2013 and be assured that there is a good chance you are buying a top quality film. Film works like wine, right?

I have agonised over the list below; there were so many films I wanted to mention but had to leave out in favour of films that either tried something a little different or spoke to me personally. I’ve tried to have a good mix of genres and styles and yet the majority seem to feature an in-depth look at human emotions, three have pivotal scenes involving a piano, and two were shot in black & white. On with the list:

10 – The Comedian

10 - The Comedian

Funnily enough this was the hardest position on the list to decide on as whatever film doesn’t make this slot doesn’t make the list at all. In the end I settled on Tom Shkolnik’s debut film about a young man living in London. Protagonist Ed is unsatisfied in his job and his love life and finds himself a little lost in his life in London. The film has no strict plot but instead features authentic feeling improvised scenes and simply offers a glimpse into a short period in the life of a character. I related to the film on a very personal level which earned it a place in my top 10 but which also makes me a little nervous to recommend it. Like another film much higher on this list The Comedian gives us a little peek at human relationships and does it in such a realistic way I couldn’t help but love it. More gushing in my review.

9 – A Field in England

9 - A Field in England

And now for something completely different… Over the past four years Ben Wheatley has made four films and cemented himself in the world of British film as a man who can produce low budget films filled with unbearable tension, extreme violence, and surprisingly real characters. His fourth film took a strange turn as he produced a black & white piece set during the civil war in which all manner of horrors occur in a field in England. The film was released in cinemas and on TV, DVD, Blu-Ray, and VOD all on the same day but that is far from the most remarkable thing about it. I couldn’t begin to explain the plot of A Field in England or the relatively tame but somehow harrowing visuals it contains. This is bold, brave British film-making; something we could do with a lot more of.

8 – Breathe In

8 - Breathe In

Two years ago Drake Doremus’ debut film Like Crazy was released and despite it being an impressive first film there was something about it I couldn’t quite get behind. In his follow-up, a story of infidelity and temptation starring Felicity Jones and Guy Pearce, Doremus has utilised his improvisational style to produce a fantastic feature. This is a film of lust and longing, and not being satisfied with the cards life has dealt you. What is most impressive is that Doremus manages to create scenes of incredible sexual tension and sensuality without ever needed to show anything more than a longing look or a gentle touch. Worth an entry on this list for its ability to replace sex scenes with piano duets without losing any of the sexiness.

7 – Philomena

7 - Philomena

2013 has definitely been a great year for films and specifically a great year for Steve Coogan. Four of his films were fighting for a position in my top ten but ultimately I could only allow myself one on the list. Philomena gets this most coveted position for being the only film of the four to bring me to tears. The story of an old woman searching for the son she was forced to give up 50 years ago is a heartbreaking one but the script, co-authored by Coogan, manages to be hilarious too. As we watch the unlikely pairing of Coogan’s uptight journalist and Judi Dench’s kind-hearted and deeply religious pensioner the film explores faith, family, and forgiveness in and even handed and enjoyable way. Ultimately the story of Philomena, deeply based in fact rather than fiction, is not a happy one but she isn’t going to let it get the best of her so neither should you. Full review here.

6 – Stoker

6 - Stoker

Stoker completely passed me by when it had a cinematic release in March of this year but in an effort to fill in some of the gaps in my film watching I caught up with the film over the Christmas break, and I am glad that I did. Stoker is written by Prison Break star Wentworth Miller and directed by Korean legend Chan-wook Park and is a stunningly shot gothic thriller. Mia Wasikowska plays a young girl coming of age who has just lost her father and is getting to know her previously unheard of young uncle, Matthew Goode, who comes to stay with her and her mother. The film has strangely vibrant yet artificial looking visuals and some brilliantly arch performances from its leads which allows the film to have its characters behave in a way that is slightly otherworldly. Stoker manages to maintain a strange tension throughout which created a sense that sex or violence could erupt at any moment. This film also features a second sensual scene focusing on a piano duet but things get slightly more extreme, as is so often the case with Stoker. A totally unique modern thriller that Hitchcock wouldn’t be ashamed to have directed.

5 – Saving Mr. Banks

5 - Saving Mr. Banks

At number 5 we have a very personal choice for myself. I really can’t tell if Saving Mr. Banks is actually a good film or just a load of sentimental nonsense as I am so blinded by all the baggage I am bringing to the film. Saving Mr. Banks is the story of the battle between Walt Disney and the author of Mary Poppins P.L. Travers as he tries to obtain film rights for the books from a woman who hates cartoons, musicals, and Dick van Dyke. As someone who grew up on a heavy dose of Julie Andrews singing there is something bizarrely nostalgic about this film set twenty years before I was born. Combine this with another fine performance from Emma Thompson and the result is me in repeated floods of tears at a press screening. If you love Mary Poppins then no doubt you will love Saving Mr. Banks, otherwise I probably wouldn’t bother. Full review here.

4 – Nebraska

4 - Nebraska

Have you ever received a letter telling you that you might have won millions and that you just need to phone a number or go to an address with your prize code to find out? Nebraska is the story of one man (Bruce Dern) who takes the letter seriously. Worrying that his father will try to take the journey to claim his prize alone his son (Will Forte) agrees to drive him there just to make sure he doesn’t die in the process. Along the way they stop off at the old man’s hometown and old family feuds resurface as people are mocking and jealous of the possible windfall in equal measure. Shot in gorgeous black & white Alexander Payne has made another beautiful film, one that shows the quirks of family and how important and frail dignity can be even as you get older. Funny and touching Nebraska is never inauthentic or cloying. Perfect. Full review here.

3 – Behind the Candelabra

3 - Behind the Candelabra

Having declared his retirement from directing films for the cinema Steven Soderbergh went on to direct this biopic of Liberace (Michael Douglas) and the story of his love affair with the initially young Scott (Matt Damon). In the UK we scuppered his plan for retirement by deciding that the film was too good for TV and gave it a cinematic release instead. In Behind the Candelabra Soderbergh has created a gloriously camp retelling of the life of one gloriously camp performer, and the life of an ego so big that he gives his boyfriend plastic surgery so that he can share more of Liberace’s features. Douglas and Damon are both playing completely against type and doing a fabulous job of it but neither are so brilliant as Rob Lowe who plays the taut faced plastic surgeon who can’t so much as close his eyes any more. The whole film is turned up to eleven and is a real joy to watch. Just don’t go expecting any subtle sexy scenes at the piano as Liberace eschews subtlety in favour of glitter, candelabras, and an on-stage limo.

2 – Before Midnight

2 - Before Midnight

We return to the theme of relationships that runs through this list as we reunite with one of cinema’s best couples and the most enduring onscreen romance. Richard Linklater first introduced us to Celine (Julie Delpy) and Jesse (Ethan Hawke) back in 1995 when the two lovers met, spent a night together, and went their separate ways. 9 years later the pair were reunited in Paris and shared one long real-time conversation before leaving us with a cliff hanger. Since 2004 audiences have been left wondering whether Jesse stayed to spend another night with Celine or went back to America to his wife and child. Their love story is continued in Before Midnight as we drop back into their lives as a proper couple with their own children on holiday in Greece. Through a series of conversations we see that Jesse and Celine are still very much in love but that the years have taken their toll on the young romantics and every conversation has an undertone harking back to an argument years in the making. The Before trilogy is always pretentious, funny, and touching and as theatrical as the lengthy conversations might be the performances never stray far from my favourite adjective; authentic. Here we are watching characters we love struggle in their relationship and it is all painfully real.

1 – Blue is the Warmest Colour

1 - Blue is the Warmest Colour

The only thing that can possibly top a brief trip into the relationship of Jesse and Celine is a film that encompasses an entire relationship. Across the three hours we follow French teenager Adèle as she slowly becomes an adult and discovers her own sexuality through initial fumbles with boys and then her life changing romance with the enigmatic Emma. Director Abdellatif Kechiche has come under a lot of criticism for the film since he and the young stars (Adèle Exarchopoulos and Léa Seydoux) won the Palme d’Or at Cannes but none of that can do anything to stop the resulting film from being so incredible. As the relationship between Adèle and Emma waxes and wanes we see all facets of their relationship. Yes we see their sex life but we see their snotty, blotchy faced arguments too. We see their initial flirtation in a bar and their tragic post-relationship reunion in a cafe. We see their conflicting family dynamics as Adèle is introduced to Emma’s foodie family as her girlfriend and Emma is invited round to Adèle’s as a friend to enjoy some bland spaghetti. The performances at the center of the film are fantastically raw and, all together now, authentic. At the end of my screening Kechiche and Exarchopoulo came out for a Q&A but I couldn’t stay to watch it for fear of ruining the illusion that the Adèle I had been watching was a living, breathing human being and someone whose most intimate moments I had seen laid bare. This marks the third year in a row that a French film has taken my top film title; they must be doing something right. Full review here.

Top 20 Films of 2011
Top 10 Films of 2012

The Comedian – DVD Review

The Comedian DVD

The Comedian is an improvised drama with a Dogme 95-esque filming technique – the film is shot entirely in real locations without a script. The titular character is Ed, a call centre worker who dreams of being a successful stand-up comedian but is struggling to get the audiences laughing. Ed lives with Elisa with whom he shares a precarious platonic love. Their relationship becomes strained when Ed starts to date fellow comedian Nathan for whom love is distinctly not platonic.

I have already gushed about how much I loved The Comedian in my full review back in May but suffice it to say that this film had a real effect on me. Few other films have so authentically captured the sense of disorientation and disarray that living in a large city when your love life and career are uncertain can bring. Ed is not always a sympathetic character but he is by far the most relatable person I have seen onscreen this year.

This film may not be for everyone but if you are willing to sacrifice the typical three act structure then you may well find the little gem I felt I had unearthed.

Apart from a trailer and the film’s manifesto the only extra is a 30 minute short film by The Comedian director Tom Shkolnik entitled One Happy Moment. The short is similar in style to the main feature and follows two young Londoners as they meet, date, and spend their first night together. The plot is even more sparse and it didn’t connect to me in nearly the same way as The Comedian but One Happy Moment was short and sweet enough nonetheless.

The Comedian is out on DVD today and is worth a look, particularly if you are a Mild Concern fan and want to see our first citation.

If you fancy saving your pennies we still have three copies of the DVD to give away in our competition.

Win a Copy of The Comedian on DVD

The Comedian

You may remember me gushing last month about The Comedian, the story of a stand-up comic struggling with life and love in modern-day London. For me the film really captured something truthful about what it is like to live in a large vibrant city and the excitement and the loneliness it can bring. Real my full review for lots of gushing and attempts at sounding intelligent.

All too often I sing the praises of a film whilst knowing full well that most people won’t get the opportunity to see it. Thankfully in the case of The Comedian I have three copies to give away on DVD. I have taken the bold decision to give these away as three prizes rather than leave one lucky winner in the slightly awkward position of having the same film on DVD three times.

To enter simply enter you details below. The competition is open to UK residents over 18 years old. The competition closes on 29th July 2013 at 5pm at which time three winners will be chosen at random and the prizes sent to the addresses as provided below.

This competition has now closed

The Comedian is released on DVD on 30th July and is a treat of a film.
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Out Now – 31st May 2013


The Big Wedding
A slightly bizarre group of American actors gather for our pleasure to present us with a wedding comedy. The (other) critics have universally panned it so I wouldn’t bother if I were you. I got my fill of Robin Williams as a comedy vicar in License to Wed.

The Purge
In the future Americans are allowed twelve hours every year to do whatever they want as emergency services shut down and all laws are abandoned. A wealthy family is terrorised in their own home after allowing in the target of a masked gang. People in masks tend me make me crap myself so this may well be good fun.

The Comedian (limited release)
This inward looking character drama is not for everyone but it was for me. That makes me better than you right? (I only say this so that if you don’t like it you can’t come complaining to me)

Byzantium (limited release)
Some say this is a feminist vampire film. Some say this is a sexy vampire film. I say a prostitute killing men and drinking their blood as she fight the patriarchy sounds like the perfect blend of the two. Though obviously I will be watching and admiring Gemma Arterton as a strong independent woman and not because she’s running around in a corset. Honest.

Man to Man (ICA only)
Tilda Swinton stars as a German woman posing as a man in what seems to be an episode of a TV series from 20 years ago that is now screening at London’s most pretentious/awesome cinema. Buy your tickets here.

Populaire (limited release)
Every time I see the poster for this French comedy I think it stars Matt Bomer who co-stars in my Magic Mike gif. Turns out it’s actually a Frenchie called Romain Duris.

Everybody Has a Plan (limited release)
Viggo Mortensen stars as a man who impersonates his own cousin in Argentina. Turns out Viggo speaks Spanish having lived in Argentina for ten years of his childhood. Who knew!? I wonder who plans his twin…

Yeh Jawaani Hai Deewani (limited release)
Bollywood film in which a man and woman love each other very much and sing about it. Probably.

Blood (limited release)
“Thriller charting the moral collapse of a police family.” Yes! Finally a thriller not afraid to use charts to tell the story. I reckon it looks similar to the below:


The Comedian – Film Review

The Comedian

Ed (Edward Hogg) is a stand-up comedian living in London, struggling to take his day job seriously, and struggling even harder to get audiences to take his comedy seriously. Ed lives with the beautiful Elisa (Elisa Lasowski) with whom he shares a platonic love and is starting to date fellow comic Nathan (Nathan Stewart-Jarrett). Ed finds himself struggling to keep either of his two jobs or relationships afloat as he treads water in the nation’s capital. Shot in an improvised fashion by director Tom Shkolnik The Comedian is not driven by plot but by its characters and is all the better for it.

Considering this is a debut film for Shkolnik The Comedian is a remarkable statement and admirable achievement. Shot with an ethos resembling the Dogme 95 Manifesto The Comedian had no script but instead relied on its cast and crew to improvise dialogue and story as the film was shot only in real locations surrounded by real Londoners and the actors all playing versions of themselves with just one take to get each scene right. The result is a film without any discernible structure which somehow manages to show a side to life at the beginnings of adulthood that is rarely captured on camera.

The Comedian 1

Everything about The Comedian felt painfully real and relatable. This is not a story about boy meets girl or boy meets boy but a story about a man lost in the big city trying to figure out if he is happy with his life or not. You do not have to be a struggling gay comedian to see a lot of yourself in Ed, indeed I am not and I did. Anyone who has ever travelled on a night bus and not had the quiet journey they had hoped for, found themselves on a random London street in the early hours of the morning arguing with someone they love, or simply felt incredibly lonely in a large city will find this film authentic.

Shot in a spontaneous fashion The Comedian has every excuse not to look any good but somehow eschews the low-fi aesthetic of many low budget films and comes out looking fantastic. This is particularly impressive considering the amount of night-time shooting with natural light which looks deep and textured rather than the all too familiar grainy and under-lit. Compare this with my recent Beat Girl trauma and the contrast is remarkable. When you don’t have a huge budget it is all the more important to focus on producing amazing images and sound as the merest whiff of amateur film-making can pull the audience out of a film and into the neighbouring screen to watch Iron Man 3 instead.

The Comedian 2

This plot-less style of film is not for everyone and I did find the ending’s lack of finality a little frustrating but overall The Comedian really spoke to me. The visuals are dark and enveloping and the acting is so natural as to be unnoticeable allowing the film to completely pull me in for its short running time. For those who cannot relate The Comedian may come across as dull navel-gazing but for me I was gazing at my own navel and found it to be beautifully messy.