BAFTA Rising Star Nominees 2014

Bafta Rising Star Nominees 2014

This year’s BAFTA Film Awards will be presented on the 16th of February and there is one award in particular that never fails to catch my attention; the Rising Star Award. The unique nature of the award is that the winner is voted for by the public and this is both intriguing and to the awards detriment. The award will sometimes go to the nominee with the biggest fan base or highest profile rather than an up and coming talent that could really do with the encouragement.

Yesterday BAFTA announced the five nominees as selected by a panel of industry experts and I’m here to pass judgement on them and see who I think should win.

Dane Dehaan

Dane Dehaan
Dehaan first grabbed my attention with his Season 3 role in Gabriel Byrne’s dialogue heavy TV epic In Treatment as the troubled teen Jesse D’Amato. Since then he has perfected the role of troubled genius in films such as Chronicle and Kill Your Darlings. Dehaan managed to ground the supernatural Chronicle and make it all the more real by putting in a truly threatening performance. I may not have enjoyed Kill Your Darlings but it certainly wasn’t Dehaan’s fault. His next major appearance is taking over the role of Harry Osborn in The Amazing Spider-Man 2 (a casting spookily predicted by Stephen on this blog) and I for one am quietly excited. As someone with some solid but low-key performances under his belt and more mainstream fare up ahead I can easily see what makes Dehaan a candidate for the Rising Star Award.

Will Poulter

Will Poulter
Oh Will, where did it all go wrong? Six years ago Poulter debuted in the adorable British film Son of Rambow directed by Garth Jennings in which Will played the role of Lee Carter. Since then he has taken on a few TV roles, appeared as Eustace in The Chronicles of Narnia: The Voyage of the Dawn Treader and acted in the critically acclaimed Wild Bill. Most recently he has undone all that good work by helping to make the atrocity that was We’re the Millers. Sorry Will but I really can’t get past that film.

Lupita Nyong’o

Lupita Nyong’o
Lupita Nyong’o has a 100% flawless record of five-star films by virtue of the fact that her sole cinematic release to date is the, as yet unreleased in the UK, 12 Years a Slave. In this future Oscar winner (trust me) Lupita plays a young slave woman who is separated from her child and suffers the worst brutality seen in the film. As an attractive young woman she suffers from the amorous advances of her “owner” and the jealous rages of his wife all while grieving for her absent child. Nyong’o’s performance is striking and heartbreaking and I’d say she deserved this award if I didn’t already think she was on her way to the Best Actress Oscar instead.

Léa Seydoux

Léa Seydoux
Léa Seydoux has been working solidly in French cinema since 2006 and made a few appearances in high-profile American fare including Midnight in Paris, Inglourious Basterds, and Mission: Impossible – Ghost Protocol. What has really brought Seydoux to everyone’s attention is her supporting role in the epic love story (and my favourite film of 2013) that is Blue is the Warmest Colour. Much as I loved her performance in the film I can’t help but think that her co-star Adèle Exarchopoulos is more deserving of a position on this list. Exarchopoulos carried the film on her shoulders and has a much less developed CV than Seydoux. All that said I am very excited to see where Léa’s career goes next particularly with her role in the remake of La belle & la bête coming up later this year.

George Mackay

George Mackay
Sadly, despite his recent role in the Proclaimers musical Sunshine on Leith, I have no idea who George Mackay is. Perhaps this anonymity makes him the perfect nominee for an award aimed at encouraging a burgeoning career or perhaps I just need to widen my cinematic horizons so that an actor’s entire career doesn’t pass me by again. Sorry George!

For me the winner has to be Dane DeHaan. Despite having a good crop of films behind him DeHaan has not yet become a household name and has put in a series of solid performances in smaller films. The others in the list have either risen too much in my opinion or made one bad film with Jennifer Aniston that i can’t get past. Not naming any names obviously. George Mackay prove me wrong, I’ll be sure to watch How I Live Now when it comes out on DVD.

Disagree with me? Of course you do! Have your say by voting over at the Rising Star Award page.

12 Years a Slave – LFF Film Review

12 Years a Slave

Slavery is not quite a taboo subject but is certainly not one that is dealt with seriously in cinematic terms very often. At the start of 2013 we were given Tarantino’s Django Unchained which tackled slavery in a stylised fashion with bloodshed being the main method of emancipation and without me ever really getting a sense of the brutality of life as a slave. With Tarantino at the helm the film felt all too fictional to have an effect. Within just the first few minutes of Steve McQueen’s 12 Years a Slave I felt like I could finally comprehend just how slaves were seen in pre-Civil War America in the eyes of their masters. These were not human beings, they are a commodity and closer to cattle than anything deserving basic rights.

Chiwetel Ejiofor stars as the free black man Solomon Northup who is kidnapped and sold back into slavery while his wife and children are left behind to assume him dead. More used to a life as a relatively respected gentleman and musician Solomon finds himself stripped of everything he owns down to his name and struggles to retain his dignity and sense of self. After being sold on to a relatively kindhearted plantation owner, played by Benedict Cumberbatch, Solomon struggles to keep his head down and after rubbing up an overseer (Paul Dano) the wrong way is sold on to a brutal new master called Epps (Michael Fassbender) and his equally cruel wife (Sarah Paulson).

It is on this second plantation that Solomon suffers the most as he gradually loses all hope of ever returning to his civilised life and more importantly his family. His learned past does not do Solomon any favours as his intelligence frequently threatens to leave him out of favour with his master and therefore suffer at the thin end of a whip. The only slave sticking out more than Solomon is a young woman Patsey (Lupita Nyong’o) who has caught the amorous eye of Epps and with it the scorn of Epps’ wife. Patsey brings about some of the most graphic violence in the film which hits home, hard.

The plot of 12 Years a Slave is not a complicated one as we stick with Solomon throughout his years spent enslaved. The day in, day out barbarism that surrounds him is displayed without glamorisation by McQueen in a film that is beautiful to behold but positively painful to watch. Here the violence is not cartoonish and the audience is made to feel every lashing delivered by the whip and you are never sure when the next beating will come. The whole 2+ hours were a hard-hitting experience and while I would never suggest that I enjoyed the film as such it truly is a masterpiece that manages to be powerful and intimately epic.

Ejiofor may be surrounded by more recognisable names (other than those already mentioned Brad Pitt and Paul Giamatti also pop up) but he more than holds his own as he takes the substantial weight of the film on his shoulders. It is Ejiofor who leads us on this journey with every grimace and wince his detailed performance brings with it. He is nothing short of magnificent which will be no surprise to anyone who has seen any of his work to date.

12 Years a Slave is a searing film that takes its weighty subject seriously whilst not scrimping on cinematic artistry. I cried for the second time this week and the audience of press applauded the film which is not a common occurrence. Expect to be hearing a lot about this film when the Oscars come around.

12 Years a Slave screens at the festival on the 18th, 19th and 20th October and is in UK cinemas on 24th January 2014.

BFI London Film Festival 2013