Film
Despite my long-held admiration for Felicity Jones and endless praise for the film I somehow managed to miss The Theory of Everything when it was in cinemas. Perhaps I was annoyed at having to share Jones with the rest of the general public or, more likely, nobody wanted to go and see the film with me knowing that I’d be slack-jawed throughout.
The Theory of Everything follows the romance of Stephen and Jane Hawking (Eddie Redmayne and Felicity Jones) from their first meeting at University and through their marriage as Stephen slowly becomes more and more dependant on Jane thanks to the onset of motor neurone disease. Tellingly most coverage of the film has focussed on the acting; to some degree on Jones’ performance as the ever-burdened wife but mostly on Redmayne and his brutal portrayal of a man slowly losing control of his body.
The praise for Redmayne is certainly well deserved as he audibly and physically transforms himself throughout the film from a sprightly young student to a wheelchair-bound professor. Most importantly what Redmayne manages to do is maintain the spark and personality that is such a vital part of the real Stephen Hawking. While he may end the film sitting almost immobile in a wheelchair Redmayne’s Stephen never loses his energy. Alongside Redmayne Jones brilliantly plays a woman not just dealing with raising two young children while coping with a demanding husband, but also shows the pain of a deeply religious woman whose husband does not respect her beliefs.
Together Redmayne and Jones portray a couple deeply in love who find their relationship straining when one loses their physical capabilities and the other struggles to find the emotional strength to carry on. Neither are passed off as saints as they both show signs of selfishness and weakness as their love for one another stumbles. It should definitely be noted that this is not a film about a science but a film about love. And while we’re at it, as a great narrator once said, this is not a love story; this is a story about love.
The film is undoubtedly moving and is as good as it is simply because of its strong lead performances; failing to truly wow with its script or direction. As I look back on the film I find I am left with a sense that some of the less loving emotions between Jane and Stephen may have been watered down. Their marriage was far from perfect, understandably considering the circumstances, and the lack of real anger in an otherwise emotionally open film felt suspect. Luckily the actors are skilled enough to distract you from second guessing while you watch the film itself.
These quibbles aside The Theory of Everything is a great showcase for two young British talents, though I suspect they have better films left in their careers. A film worth watching, just maybe not worth watching twice.
(But only just)
Extras
This being a period British film looking at people and emotions rather than explosions and special effects the extras on the Blu-ray are limited. What you get are a good number of deleted scenes and a brief documentary Becoming the Hawkings focussing on Redmayne and Jones preparing for their roles.
As far as I can tell the DVD has no special features. The horror!
The Theory of Everything is available now on DVD
As the film begins we are introduced to Clark, an eager young man with a dream of working in the movies, and the family connections to make it happen. Before long he has gotten himself a job on Lawrence Olivier’s new film, a job allowing him to interact with Dame Sybil Thorndike (played with no effort needed by Dame Judi Dench) and flirt with costumer Lucy (Emma Watson at her more convincing). At this point the film is playing as a enjoyable piece of British period cinema, everyone having fun with their roles, particularly Branagh, and the sense of anticipation at the impending arrival of Monroe was shared by characters and audience alike.
Mild Concern 