With awards season truly hotting up we are treated with the nominations for the 2012 Golden Globe Awards. They’re an interesting bunch, a lot of the more challenging and/or smaller films have been passed by. The Los Angles Times has it spot on when they say that the nominations seem to recognise those works featuring the A-list actors, more accessible films and less dark dramas. No Tyrannosaur or Like Crazy to be found below.
What you will find is my gut reaction and my opinions for each category (apart from Best Original Song and Best Original Score as that is not my strong suit) whether you want it or not. Continue reading
This should be the easiest awards recap ever as The King’s Speech won all the big awards it was up for, completely sweeping the board. Its presence was made all the stronger by the amount of other winners that hadn’t turned up so weren’t given any screen time collecting their awards. The sheer dominance of the film, and the number of awkward moments, made for a less than exciting ceremony.
The King’s Speech does deserve to win awards so it’s hard to complain, though perhaps someone other than Helena Bonham Carter should have won Best Supporting Actress, there were better performances this year. Lesley Manville in Another Year anyone?
I was surprised and pleased to see The Social Network pick up an award for directing, and the screenplay award was just plain right. Aaron Sorkin is a master who cannot be matched. These two awards allowed BAFTA to show that they weren’t too biased towards the Brits.
Speaking of bias towards the Brits, Chris Morris deservedly won Outstanding Debut by a British Writer, Director or Producer for Four Lions. With Duncan Jones winning last year this is a great award for praising unique filmmaking in Britain that might otherwise go unrewarded.
It’s a shame Andrew Garfield didn’t win the Orange Rising Star Award, but as we forgot to vote ourselves, we can’t really complain. Besides, with Inception being relegated to a collection of technical awards, it was nice to see one cast member up on stage.
It was an evening with more flubbed lines than surprise winners and is likely to be reflected at The Oscars, Portman’s win certainly will be at least.
When I first heard that the guy who wrote The West Wing was writing a film about Facebook I thought it sounded ridiculous but after the first trailer I knew I was wrong.
With Aaron Sorkin you are guaranteed a certain level of quality and speed of dialogue, and with 8 pages of dialogue being delivered within the few minutes that make up the opening scene, you are prepared the the rest of the film. Witty conversations fly back and forth as the film thunders forward at an amazing pace.
This pace is maintained by David Fincher, a directer with plenty to be proud of on his IMDb page, who manages to keep people either talking or typing on computers engaging for a full two hours. Not to mention pulling off a brilliant bit of actor duplication with the twins.
Jesse Eisenberg plays a brilliantly mannered version of Zuckerberg, different to his previous roles, a social awkward figure who has no real ambition to make money, just to make a successful website. That social awkwardness makes Zuckerberg for the most part hard to sympathise with, and yet you don’t really side with those that attack him either.
Andrew Garfield as Zuckerberg’s former best friend probably garners the most sympathy as the betrayed former business partner, and he certainly proves his worth as a big up and coming actor. In what is an amazing film there is surprisingly little heart. Almost every character is looking out for their own personal gain, either for money, acclaim or sex, leaving no one to really root for.
That niggle is easily put aside though when you are presented with such a great bit of cinema, recommended for anyone who has ever updated their status. Especially if they’ve ever done it when drunk.
The Social Network is out this Friday.
Most scathing comment in the film: “Good luck with your game”
Below is the first teaser trailer for The Social Network written by Aaron Sorkin and directed by David Fincher it details the unexpected and utterly ruthless rise of facebook, the site we all loathe yet all have an account on.
From what I’ve read the film pulls no punches and this teaser and the lovely looking poster have made me more than a little excited. I am a little worried that they forgot to take the lens cap off the camera though…