While some debuts are defined by restraint then Boots Riley is sprinting in the opposite direction. Acting as both writer and director Riley brings us a world almost like our own but dialled up to eleven. The volume of ideas that fill most films are churned through each minute as Riley satirises capitalism, race relations, and anything else that comes into view.
The plot centers on Cassius (Lakeith Stanfield), a newly employed telemarketer who discovers he can outsell his co-workers by applying his “white voice” (David Cross) when on the phone. As Cassius moves up in his company he finds himself in conflict with his activist and performance artist girlfriend Detroit (Tessa Thompson) and entangled in a company that offers a worry free existence to those willing to sign away their human rights. This is a film willing to show how modern capitalism could justify the reinvention of slavery but does so with the visual flair of a restrained Michel Gondry.
Sorry to Bother You exists in a world one step away from our own; Riley makes liberal use of magical realism elements that allow his imagination to run wild and not be constrained by the laws of human nature, physics, or decency. This is a defiant and confident debut from a writer-director with a lot to say. Riley deals with themes that carry a lot of weight but handles then with such irreverence that you can’t help but have fun. Please go see this because if I type any more I will spoil the plot.