LFF 2018 – It’s That Time of Year Again…

Brace yourselves. It’s that time of year when I start warming up the blog in the hopes of spending a good chunk of my October watching the best films the world has to offer at the BFI London Film Festival. The full programme is revealed next week but some of the highlights teased so far have me restoring my faith in cinema again. Below are the three that have caught my eye; each from an LFF stalwart. All male directors though… Sorry.

Steve McQueen’s Widows


It has been five years since McQueen had me weeping into my press pass with 12 Years a Slave. Having given us enough time to collect ourselves he returns to London with Widows; a female crime thriller co-written by Gillian Flynn and adapted from a Lynda La Plante TV series. If that pedigree weren’t confusing enough the cast includes Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Daniel Kaluuya, Jacki Weaver, Robert Duvall, and Liam Neeson. What an embarrassment of riches.

Yorgos Lanthimos’ The Favourite


Having confounded me in previous years with The Lobster and The Killing of a Sacred Deer Lanthimos is back at LFF with what is likely to be a festival favourite. Starring the highest paid non-Marvel actress in cinema Emma Stone, and UK TV’s most powerful actress Olivia Colman, The Favourite is an 18th century English farce about Queen Anne and her correctly spelled favourite. As someone who considers The Lobster to be Lanthimos at his best I can’t wait to see him reunited with Colman in a much meatier role.

Mike Leigh’s Peterloo
In 2010, my first year in London, I watched Boris Johnson introduce Mike Leigh’s Another Year. The film had been funded by the UK Film Council which the Tories had just scrapped. Ah the fun we all had back then! Leigh is the only filmmaker I have seen watching a film at LFF when he had nothing at the festival himself – he sat behind me for the five hour Japanese drama Happy Hour in 2015 – so has proven himself as a true patron of the festival. Returning to the period genre he mastered so well with Mr Turner, Leigh is this time portraying Manchester’s 1819 Peterloo Massacre with the film’s premiere actually taking place in Manchester not London. Mass violence is not something that screams Mike Leigh, but I have no doubt he will tackle it masterfully.

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